Fun with Feedback (and SuperCollider)

A couple of weeks ago I posted some audio and code examples of a software matrix mixer I made with SuperCollider.  I thought a post going into some detail about feedback and how to code it may be of help to those new to the concept as a creative tool, or to using it within…

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Virtual Matrix Mixer (yes, in SuperCollider)

Kane and I recently dropped $170 at JameCo on potentiometers, switches, diodes, project boards, and more in anticipation of several MuCo projects we have been planning.  The main project now after some op-amp FAIL last night (the FAIL being Mimms’s op-amp.  Yes, there is a free version on the nets.  No, we will not help…

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seventeen:thirteen

seventeen:thirteen is my doctoral dissertation from the Eastman School of Music. It is a composition for fifteen players to be performed outdoors in an urban environment for 30 minutes each day for 3 days. It employs coordinated movement and sound with audio and video recording, playback, and projection. The work employs different compositional styles for…

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Mixer Feedback Music: 1204FX Improvisation 2

WARNING: (every good post should begin with one!) Following any of the steps below to create feedback loops with mixers can harm your gear and more detrimentally, your ears.  The results are often unpredictable and almost always extremely loud.  The pulse waves created by these kinds of setups and heard in the recording below are…

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Lost Voices of Blasphemous Friends

In 2006 I both completed recording for, and abandoned, a sound installation for 8 speakers.  The work, originally titled Voices of Blasphemous Friends was intended for installation at a festival to which I was never invited.  I recently stumbled upon the recordings, mostly in a state of discombobulation, and the 5 movements/excerpts I used to…

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Audio/Video: Hartford Artspace, April 25th

[wpvideo D3YNrBlv] The above is some low-quality video from our most recent show at Hartford’s Artspace. Below is audio only. The performance space, as you will be able to tell in the recording, was cavernous. I estimate the ceiling to be between 16-20 feet. The room was exceptionally live and reverberant. Our approach is always…

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