This is a quick post to talk about my recent experience configuring Pipewire and JACK on Arch Linux. Now, I’m not an Arch adherent and maybe you aren’t either. That’s fine because I’ll talk about the minimal install and the packages that are required to get Pipewire and JACK working. This will not cover moving…
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In this post I will attempt to convince you, dear friend, to take the hard way and learn to do whatever new/onerous thing you need to learn in order to facilitate your work, rather than relying on someone else to do it for you.
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Part 1: Hosing Down your Computers In an earlier post about setting up and maintaining a Linux audio lab I wrote: Above I mentioned that cron-apt is used to check package status (daily) and use the email packages to email package status to the system admin (me). This, however, is not configured to auto update…
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In Part 1 and Part 2 of this series I introduced Linux as a viable operating system for a university music and audio programming lab and described in some detail Linux audio configuration for low-latency audio applications. In this part I will walk through *most* of our post-install script in some detail so you have a better picture of the necessary configuration required. But first…
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“Running a Linux Audio Lab was fun, he said! You should try it, he said! He didn’t say anything about ALSA and JACK and Pulseaudio! Aaaaaah!” -Horrified individual the first time they try to get low-latency audio working in Linux with an Ubuntu base. To be clear, in Part I of this series I never…
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This is part one of a three-part series of articles describing how and why you can use Linux in your college or university’s music/audio lab. In this article I will provide a broad overview of what I do in the CS music/audio lab at Yale and why I do it.
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Introduction Use of voltage control amplitude envelopes became standard in the 1960s after they were implemented by Moog on the evolving Moog Synthesizer (1964-1965). In the digital domain the envelope realizes its true potential as a variable function of change over time more akin to the use of lines (stochastic calculus, probability curves, ruled surface)…
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There’s a new OMI Synth Jam recording up here. Thanks to Mark for recording the sessions and uploading them! If you are interested in finding out about Synth Jams *before* they happen, hit the Subscribe tab and drop your email. You will only be alerted when new content is created or when a new event…
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I created a page here for recordings I’m making with SuperCollider and the OP-1 synthesizer. These recordings explore using SC3 only as a parameter generator of MIDI information (notes, CC messages, etc) and the OP-1 as synthesizer.
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This will be a quick post about my recent practice making electronic and computer music. My creative process has always been… complicated. A contributing factor may be that I rarely reuse compositional systems or take on projects that closely resemble previous ones. I have diverse and varied interests so there’s always something pulling me away…
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