Part 1: Hosing Down your Computers In an earlier post about setting up and maintaining a Linux audio lab I wrote: Above I mentioned that cron-apt is used to check package status (daily) and use the email packages to email package status to the system admin (me). This, however, is not configured to auto update…
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In Part 1 and Part 2 of this series I introduced Linux as a viable operating system for a university music and audio programming lab and described in some detail Linux audio configuration for low-latency audio applications. In this part I will walk through *most* of our post-install script in some detail so you have a better picture of the necessary configuration required. But first…
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“Running a Linux Audio Lab was fun, he said! You should try it, he said! He didn’t say anything about ALSA and JACK and Pulseaudio! Aaaaaah!” -Horrified individual the first time they try to get low-latency audio working in Linux with an Ubuntu base. To be clear, in Part I of this series I never…
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This is part one of a three-part series of articles describing how and why you can use Linux in your college or university’s music/audio lab. In this article I will provide a broad overview of what I do in the CS music/audio lab at Yale and why I do it.
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Introduction Use of voltage control amplitude envelopes became standard in the 1960s after they were implemented by Moog on the evolving Moog Synthesizer (1964-1965). In the digital domain the envelope realizes its true potential as a variable function of change over time more akin to the use of lines (stochastic calculus, probability curves, ruled surface)…
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There’s a new OMI Synth Jam recording up here. Thanks to Mark for recording the sessions and uploading them! If you are interested in finding out about Synth Jams *before* they happen, hit the Subscribe tab and drop your email. You will only be alerted when new content is created or when a new event…
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I created a page here for recordings I’m making with SuperCollider and the OP-1 synthesizer. These recordings explore using SC3 only as a parameter generator of MIDI information (notes, CC messages, etc) and the OP-1 as synthesizer.
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This will be a quick post about my recent practice making electronic and computer music. My creative process has always been… complicated. A contributing factor may be that I rarely reuse compositional systems or take on projects that closely resemble previous ones. I have diverse and varied interests so there’s always something pulling me away…
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This first installment of my algorithms project has one primary goal, to automate as much as possible the creation of spectrogram files for use online and in teaching materials. For this and for all future posts I will upload the source files (only my original code and none of the artifacts of running said code)…
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As I stare at the beginning of another Summer, this time with a toddler and a pandemic both raging nearby, I have set a few goals which I’m attempting to line up so they inform and help fulfill each other. First, don’t get COVID 19. Second, the rest. Here’s some of it. I will create…
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